![]() “Mama, I’m a Big Girl Now” Wasn’t Staged in the Movie (Her I Know Where I've Been was simply jaw-dropping).'Hairspray Live!': The Best and Worst Moments From the Live TV Broadcast Just when it seemed that the show would evaporate into a cloud of corny bubbles, the glorious Jennifer Hudson would arrive and produce the soulful gravity that the show needed. Hairspray Live! had one special trick up its sleeve - but this pyrotechnic was very human. Baillio looked relaxed as Tracy and did herself proud alongside a glittery cast. These live telecasts have a knack for uncovering fresh talent and that was again the case with Maddie Baillio, a college student plucked from more than 1,300 hopefuls to play the plus-sized protagonist. ![]() Derek McLane's great '60s-inspired sets also nicely nodded to past productions ("Waters Plumbing" read one store sign). Dove Cameron, from Disney's Liv and Maddie, was a great mean girl and Ephraim Sykes was an ultra-smooth Seaweed. Nice touches included getting two former Tracys - Ricki Lake from the movie and Marissa Jaret Winokur from Broadway - to make cameo appearances. On Wednesday, Fierstein was at his reliable best, particularly when he uttered the line "Hold mommy's waffles" in his famous baritone. He had played the role on Broadway, taking it from Divine in the original film, but lost it to John Travolta in a 2007 film remake. Harvey Fierstein provided a new teleplay and seized back the padded dress of Tracy's mom. There even was time in the three-hour show for Jennifer Hudson and Ariana Grande to duet. Early glitches, but ended with a happy bangīased on filmmaker John Waters' subversive homage to his youth in early 1960s Baltimore, the telecast from NBC's backlot in Universal City, California, was frantic and sugary and plagued by small technical glitches early, but smoothed out and ended with a happy bang. All this was enlivened by a winning score by Tony Award winners Marc Shaiman and Scott Wittman. ![]() ![]() She lives to dance on The Corny Collins Show, Baltimore's version of American Bandstand. She also wanted to integrate its all-white environs, and, along the way, be accepted for her full-figured self. ![]() Liberation was the theme - musical, racial and personal - in a story set in Baltimore 1962 and led by the pleasingly plump Tracy Turnblad. There was a town riot, real rain, mechanized rats, swooping cameras, a real audience and golf carts racing between scenes. You have to think big to be big," one character says in the show, and this broadcast thought mighty big. ![]()
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